Paul Hallahan & Lee Welch: And the tide was way out dlr Lexicon 3 February – 31 March 2019 Review by Aidan Kelly Murphy 2019…
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Lee Kit: Banal mother’s tankstation 29 November 2018 – 26 January 2019 Review by Aidan Kelly Murphy As you enter Dublin’s mother’s tankstation and Lee…
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Aidan Kelly Murphy interviews Eoin O’Dowd about Dublin’s former Eight Gallery An exoskeleton of scaffolding and white plastic surrounds number 8 Dawson Street in Dublin,…
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Wolfgang Tillmans: Rebuilding the FutureIrish Museum of Modern Art26 October, 2018 – 17 February, 2019Review by Aidan Kelly Murphy IMMA’s unusual layout, a quirk of…
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Aidan Kelly Murphy interviews Áine McBride about her emerging practice Aidan Kelly Murphy: Prior to studying art, you obtained a degree in structural engineering. Was…
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Chrome Dreams is the name given to a semi-fictional Neil Young album from 1977 that was finished but, according to lore, never released. Young shelved it…
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Amanda Dunsmore: KeeperDublin City Gallery The Hugh Lane10 April – 22 July 2018Review by Aidan Kelly Murphy 2018 marks the 20-year anniversary of the Good…
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Dorothy Smith ‘Land Marks’RHA Ashford Gallery, Dublin 15 March – 22 April 2018 I moved house recently and, in the process, became acutely aware of…
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Katrina Palmer: The Time Travelling Circus: The Recent Return of Pablo Fanque and the ElectrolierTemple Bar Gallery + Studios23 February – 21 April 2018Review by…
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Help, good, unforgiving, Listen, silence, prayer These are the words, underlined in yellow, that hang high on the gallery walls as you enter Naomi Sex’s…
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