Gabriel Kuri: spending static to save gasThe Douglas Hyde Gallery31 January – 28 March 2020Review by Aidan Kelly Murphy There is a comforting routine to…
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Lee Kit: Banal mother’s tankstation 29 November 2018 – 26 January 2019 Review by Aidan Kelly Murphy As you enter Dublin’s mother’s tankstation and Lee…
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Aidan Kelly Murphy interviews Áine McBride about her emerging practice Aidan Kelly Murphy: Prior to studying art, you obtained a degree in structural engineering. Was…
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Amanda Dunsmore: KeeperDublin City Gallery The Hugh Lane10 April – 22 July 2018Review by Aidan Kelly Murphy 2018 marks the 20-year anniversary of the Good…
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Katrina Palmer: The Time Travelling Circus: The Recent Return of Pablo Fanque and the ElectrolierTemple Bar Gallery + Studios23 February – 21 April 2018Review by…
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Help, good, unforgiving, Listen, silence, prayer These are the words, underlined in yellow, that hang high on the gallery walls as you enter Naomi Sex’s…
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The Otherworld Hall January 3, 2018 Solstice Arts Centre, Navan, 27 October – 22 December 2017 Aoibheann Greenan, Seán Hillen, Sean Lynch, Lucy McKenna Tadhg…
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Alan Butler in conversation with Aidan Kelly Murphy Emerging from the Post-internet movement of the early 2000s, Alan Butler’s recent work explores digital worlds and…
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Installation views of Lorcan McGeough’s work. Photographs courtesy of the writer. If a tree falls in a forest and no one is around to hear…
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Installation views of Barbara Knezevic’s ‘Exquisite tempo sector at Temple Bar Gallery + Studios. Photographs courtesy of the writer. The majority of gallery visits can…
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