There comes a point in self-portraiture when you lose focus of the fact the imagery in front depicts the artist themselves. While you don’t truly…
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Installation views of Lorcan McGeough’s work. Photographs courtesy of the writer. If a tree falls in a forest and no one is around to hear…
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Recount: noun, An act or instance of giving an account of an event or experience Conflict: noun, A serious disagreement or argument, typically a protracted…
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Installation views of Barbara Knezevic’s ‘Exquisite tempo sector at Temple Bar Gallery + Studios. Photographs courtesy of the writer. The majority of gallery visits can…
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In sunset provision at mother’s tankstation limited, Yuri Pattison expands on concepts previously raised in his 2016 Chisenhale Gallery show, user, space, an exhibition that…
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History, and the narrative arcs that flow through it, is rarely presented to us for review, instead it is often curated. ‘History is written by…
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Albert Sitzfleisch is a failed architect. A failed architect who works for the Council of Europe. The year is 2068, a date that is tantalisingly…
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Ronan McCrea, Film Material, 16 mm found film (silent) film projection, looping mechanism, screen, 11’32’’. Installation shot of MATERIAL(s) at Green on Red Gallery, courtesy…
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I was first introduced to the work of Mairead O’hEocha a little over a year ago, being late to considerably large and entirely justified bandwagon.…
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What’s first grabs your attention about Orla Barry’s latest show in Temple Bar Gallery + Studios is the wool. There’s a lot of it, 300kg…
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